Audio-Technica AT2005USB Review

The Audio-Technica AT2005USB is a dynamic microphone that has carved a niche for itself in the crowded world of affordable audio gear. With its dual USB and XLR connectivity, rugged build, and budget-friendly price point, it’s no surprise that this microphone has garnered attention from podcasters, streamers, musicians, and voice-over artists since its release in 2012. In 2025, the AT2005USB remains a compelling option for those seeking a versatile, no-frills microphone that bridges the gap between digital recording and live performance. In this comprehensive 2000-word review, we’ll explore its design, sound quality, features, use cases, pros and cons, and how it stacks up against competitors in today’s market.

What is the Audio-Technica AT2005USB?

The Audio-Technica AT2005USB is part of the company’s renowned 20 Series, a line celebrated for delivering quality studio microphones at accessible prices. Unlike its condenser counterparts in the series, such as the AT2020, the AT2005USB is a dynamic microphone designed for versatility. It offers two output options: a USB connection for plug-and-play digital recording and an XLR output for traditional analog setups, making it suitable for both home studios and live stages.

Priced typically under $100 (often around $79), the AT2005USB targets beginners who want an affordable entry into audio recording, as well as seasoned users needing a reliable, portable mic. It comes bundled with essential accessories—USB and XLR cables, a tripod desk stand, and a mic clip—making it ready to use right out of the box. With a cardioid polar pattern, built-in headphone jack, and a sturdy metal construction, it promises a lot for its modest cost. But does it deliver? Let’s break it down.

Design and Build Quality

Audio-Technica has a reputation for crafting durable, understated gear, and the AT2005USB is no exception. Visually, it resembles a classic handheld stage microphone: a sleek, cylindrical body with a black metal grille and a matte finish. Weighing just 266 grams (about 9.4 ounces), it’s lightweight enough to hold comfortably during long recording sessions or performances, yet feels solid and roadworthy thanks to its all-metal construction.

The microphone’s design is utilitarian rather than flashy. There’s no RGB lighting or futuristic aesthetics here—just a practical tool built to get the job done. At the base, you’ll find a micro-USB port for digital recording, an XLR output for analog connections, and a 3.5mm headphone jack for zero-latency monitoring. A small volume control wheel sits next to the headphone jack, allowing you to adjust monitoring levels on the fly—a handy feature for USB users. An on/off switch on the body adds convenience, functioning in both USB and XLR modes.

The included tripod stand is a simple folding design, adequate for desk use but not particularly robust. It’s fine for stationary recording, but podcasters or streamers might want to upgrade to a boom arm for better positioning. The mic clip, however, is sturdy and compatible with standard mic stands, enhancing its versatility for live settings.

One minor quirk is the offset XLR connection, which some users find awkward when paired with the USB port. This doesn’t affect performance but can feel slightly unbalanced in the hand. Overall, the AT2005USB’s build quality punches above its price class, offering durability that rivals more expensive dynamic mics like the Shure SM58.

Sound Quality

As a dynamic microphone with a cardioid polar pattern, the AT2005USB is tailored for close-up vocal work. Its frequency response spans 50Hz to 15kHz, delivering a smooth, natural sound that excels with speech and vocals rather than intricate instrument recording. This range sacrifices some low-end depth and high-end sparkle compared to condenser mics, but that’s typical for dynamic mics in this category.

In practice, the AT2005USB produces clear, intelligible audio with a slight warmth that flatters the human voice. Its cardioid pattern effectively rejects noise from the sides and rear, making it ideal for untreated rooms where background sounds—like keyboard clacks or ambient hum—might otherwise intrude. However, it requires you to speak or sing close to the mic (within 2-6 inches) to capture adequate volume and detail. This proximity effect can boost bass frequencies when you’re right up against it, which some users leverage for a richer tone, though it may require a pop filter to tame plosives.

When using the USB output, the AT2005USB’s built-in analog-to-digital converter (ADC) supports 16-bit resolution at 44.1kHz or 48kHz sample rates—CD-quality audio that’s perfectly serviceable for podcasts, voice-overs, and casual music recording. It’s not as pristine as the 24-bit/192kHz capabilities of newer USB mics like the Audio-Technica ATR2100x-USB (its successor), but it’s more than sufficient for most beginner and semi-pro applications.

Via XLR, the mic’s output is quieter and requires a decent preamp or audio interface with ample gain (around 50-60dB) to reach optimal levels. This is standard for dynamic mics, which lack the sensitivity of condensers, but it’s worth noting if you’re pairing it with budget interfaces that skimp on preamp power. Once properly amplified, the sound remains consistent with its USB performance: clean, focused, and free of excessive noise.

Compared to competitors like the Samson Q2U or the Shure MV7 (a much pricier option), the AT2005USB holds its own in vocal clarity and noise rejection. It doesn’t match the richness of high-end dynamic mics or the detail of condensers, but for its price, the sound quality is impressive and versatile.

Features and Functionality

The AT2005USB’s standout feature is its dual connectivity. The USB output makes it a true plug-and-play device—no audio interface or additional software required. It’s compatible with Windows (XP and later) and macOS, and some users have even reported success with iPads using a camera connection kit, though Audio-Technica doesn’t officially support iOS. This simplicity is a boon for beginners who want to record directly into a DAW like Audacity, GarageBand, or Reaper without fussing over hardware.

The XLR output, meanwhile, opens the door to professional setups. You can plug it into a mixer, audio interface, or PA system, making it a viable option for live performances, interviews, or multi-mic recording sessions. This hybrid design sets it apart from USB-only mics like the Blue Yeti and gives it an edge over XLR-only budget dynamics.

The headphone jack with volume control is another thoughtful inclusion. It provides latency-free monitoring when using USB, which is essential for real-time feedback during recording. However, some users note that the headphone output can be quiet, especially with high-impedance headphones, and lacks the punch of dedicated interfaces.

The mic’s cardioid pattern and dynamic capsule make it forgiving in noisy environments, a key advantage over condenser mics that pick up every room nuance. It also features a low-mass diaphragm, borrowed from condenser tech, which improves transient response for crisper articulation—a subtle but welcome touch.

Use Cases

The AT2005USB shines across a variety of scenarios:

1. Podcasting: Its noise rejection and clear vocal reproduction make it a favorite among podcasters. The USB option simplifies solo recording, while XLR allows for multi-mic setups with a mixer.
2. Streaming and Gaming: Streamers appreciate its ease of use and ability to minimize background noise, though a boom arm is recommended for optimal positioning.
3. Voice-Overs: The warm, natural tone suits narration and voice work, especially in home setups without acoustic treatment.
4. Live Performance: With an XLR cable and a PA system, it doubles as a stage mic, rivaling classics like the Shure SM58 for vocal clarity.
5. Music Recording: It’s less ideal for instruments due to its limited frequency range, but it can handle vocals or guitar amps in a pinch.

Its portability—lightweight design, included cables, and pouch—also makes it a great choice for field recording or travel. Whether you’re a beginner cutting your first episode or a gigging musician needing a backup mic, the AT2005USB adapts to your needs.

Pros and Cons

Pros:

• Dual USB/XLR connectivity: Rare versatility at this price.
• Affordable: Excellent value for under $100.
• Solid build: Durable metal construction withstands rough handling.
• Noise rejection: Cardioid pattern excels in untreated spaces.
• Accessories included: Cables, stand, and clip make it ready to go.
• Ease of use: Plug-and-play USB setup is beginner-friendly.

Cons:

• Limited frequency range: Not ideal for detailed music recording.
• Low USB output: May require software boosting or a loud voice.
• Headphone jack volume: Can be weak with some headphones.
• Basic stand: The tripod is flimsy for heavy use.
• Micro-USB port: Feels dated compared to USB-C options in 2025.

How It Compares

In 2025, the AT2005USB faces stiff competition, but it holds its ground. The Samson Q2U ($60-$70) offers similar USB/XLR functionality with a slightly brighter tone, though its plastic build feels less premium. The Audio-Technica ATR2100x-USB ($80-$100), an updated version, boasts 24-bit/192kHz recording and a USB-C port, making it a better long-term investment for digital creators. The Shure MV7 ($250) outclasses it in sound quality and features but at triple the cost.

For pure USB convenience, the Blue Yeti ($130) provides condenser versatility, though it’s less forgiving in noisy rooms. On the XLR side, the Shure SM58 ($100) remains the live performance king, with a fuller sound but no USB option. The AT2005USB’s sweet spot is its hybrid nature—few mics under $100 offer this level of flexibility.

Verdict

The Audio-Technica AT2005USB isn’t perfect, but it’s a remarkable tool for its price. It’s a jack-of-all-trades microphone that doesn’t pretend to be a master of any one domain. Podcasters and streamers will love its simplicity and noise rejection, while musicians and live performers can rely on its durability and XLR compatibility. Its sound quality won’t rival high-end gear, and its dated micro-USB port feels like a relic in 2025, but these are minor trade-offs for a mic that delivers so much for so little.

If you’re starting out in audio and want a single microphone that grows with you—from USB home recordings to XLR studio or stage setups—the AT2005USB is a no-brainer. For those with bigger budgets or specific needs (like high-resolution recording or instrument capture), newer alternatives may beckon. But as a budget-friendly, versatile workhorse, the AT2005USB remains a standout choice more than a decade after its debut.

Final Thoughts

In a world of ever-evolving audio tech, the Audio-Technica AT2005USB proves that sometimes the simplest solutions endure. It’s not the flashiest or most advanced mic on the market, but it doesn’t need to be. For under $100, it offers a rare blend of accessibility, durability, and performance that empowers creators at any level. Whether you’re launching a podcast, streaming to Twitch, or gigging at a local venue, this microphone has your back—and your voice.